The third and final film in Pablo Larraín’s so-called
Maria Callas, the world’s greatest opera singer, lives the final days of her life in 1970s Paris as she confronts her identity and her life.. Angelina Jolie and director Pablo Larraín discuss how they connected to the heartbreaking true story of world-renowned opera singer Maria Callas.. "Lady in High Heels" trilogy of female biopics, following Jackie (2016) and Spencer (2021).. Maria Callas: Book me a table at a café where the waiters know who I am.
Parlophone Records Limited Remastered 2014
I’m in the mood for flattery. Referenced in Close-Up: Why Do We Need a Venice Film Festival? (2024). Otello Act 4: ‘Ave Maria’ (Desdemona) Performed by Maria Callas, Orchestre de la Société des Concerts du Conservatoire Conductor: Nicola Rescigno Written by Giuseppe Verdi, Arrigo Boito A Warner Classics Release, (p) 1964.
This film is emotionally and movingly crafted, drawing me in from the very first scene
Parlophone Records Limited Courtesy of Warner Music Group Germany Holding GmbH, a Warner Music Group company. Jolie’s performance is nothing short of exceptional and I firmly believe she deserves an Oscar nomination. Her portrayal is subtle and nuanced, delivering the best female performance I’ve seen all year. The set design is simply stunning and the acting is superb, even from the canine companions.
This film is well worth seeing and will undoubtedly move you
The scene in the rain is particularly cinematic, capturing the essence of drama and emotion at its best. I highly recommend this film to anyone who enjoys opera or is simply looking for a provocative and emotionally resonant experience. It’s a great piece of storytelling that explores the final days of a diva’s life, as she struggles with monotony and a longing for a past that can never be recaptured. "One Hundred Years of Solitude" is one of the biggest TV and streaming premieres this month.